Brand
- BROTHER 25
- CANON 16
- EPSON 19
HPHP 100
- LEXMARK 3
- PRINTPEN BROTHER 12
- PRINTPEN HP 10
Lexmark 10N0016e Sıyah Kartus No:16
Lexmark 10N0026e Renkli Kartus No:26
Lexmark 18C0035e Renkli Kartus No:35
PRINTPEN BROTHER LC535XLC Mavi Muadil Mürekkep Kartuş
PRINTPEN BROTHER LC535XLM Kırmızı Muadil Mürekkep Kartuş
PRINTPEN BROTHER LC535XLY Sarı Muadil Mürekkep Kartuş
PRINTPEN BROTHER LC539XLBK Siyah Muadil Mürekkep Kartuş
PRINTPEN BROTHER LC565XLC Mavi Muadil Mürekkep Kartuş
PRINTPEN BROTHER LC565XLM Kırmızı Muadil Mürekkep Kartuş
PRINTPEN BROTHER LC565XLY Sarı Muadil Mürekkep Kartuş
PRINTPEN BROTHER LC569XLBK Siyah Muadil Mürekkep Kartuş
PRINTPEN BROTHER LC675XLC Mavi Muadil Mürekkep Kartuş
PRINTPEN BROTHER LC675XLM Kırmızı Muadil Mürekkep Kartuş
PRINTPEN BROTHER LC675XLY Sarı Muadil Mürekkep Kartuş
PRINTPEN BROTHER LC679XLBK Siyah Muadil Mürekkep Kartuş
PRINTPEN HP 51645 (45) Siyah Plotter Cartridge Muadil Mürekkep Kartuş
PRINTPEN HP CH563EE (301XL) Siyah Yüksek Kapasiteli Muadil Mürekkep Kartuş
PRINTPEN HP CH564EE (301XL) Renkli Yüksek Kapasiteli Muadil Mürekkep Kartuş
PRINTPEN HP CZ101AE (650XL) Siyah Muadil Mürekkep Kartuş
PRINTPEN HP F6U17A (953XL) Kırmızı Yüksek Kapasiteli Muadil Mürekkep Kartuş
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.