Brand
- BROTHER 25
- CANON 16
- EPSON 19
HPHP 100
- LEXMARK 3
- PRINTPEN BROTHER 12
- PRINTPEN HP 10
Hp 3JA25AE (963) Sarı Murekkep Kartus 700 Sayfa
Hp 3Jb05ae (304) Sıyah/Uc Renklı 2Lı Paket Murekkep Kartusu
Hp 3Yl80ae (912) Sıyah Murekkep Kartus 300 Sayfa
HP 3YM60AE (305) 3 Renkli Murekkep Kartusu 100 Sayfa
Hp 498N0a (739) Printhead Replacement Kit
Hp 498N4a (738) Black Desıgnjet Ink 130 Ml
Hp 498N5a (738) Cyan Desıgnjet Ink 130 Ml
Hp 498N6a (738) Macenta Desıgnjet Ink 130 Ml
Hp 498N7a (738) Sarı Desıgnjet Ink 130 Ml
Hp 498N8a (738) Black Desıgnjet Ink 300 Ml
Hp 4S5b3a (768) Macenta 500 Ml Murekkep Kartusu
Hp 4S5b4a (768) Sarı 500 Ml Murekkep Kartusu
Hp 4S5b5a (768) Cyan 500 Ml Murekkep Kartusu
HP 4S6Y0PE (938E) Magenta Mürekkep Kartuş
Hp 51645Ae (45) Sıyah Buyuk Murekkep Kartusu 930 Sayfa
HP 676M6A (738) 300 Ml Cyan Desıgnjet Ink Cartrıdge
Hp 676M7a (738) 300 Ml Macenta Desıgnjet Ink Cartrıdge
Hp 676M8a (738) 300 Ml Yellow Desıgnjet Ink Cartrıdge
Hp 6Zc73ae (903) Sıyah/Macenta/Cyan/Sarı Murekkep Kartusu
Hp 7K5u6a (769) Sarı Cyan 3-4 Desıgnjet Baskı Kafası
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.