Brand
- ADDISON 1
- COOLERMASTER 5
- DIGITUS- 1
- FRISBY 4
- RAMPAGE 1
- THERMALTAKE 2
- TX 1
- V-net 1
Addison 300663 13″ Siyah Sert Kapaklı Kılıf Macbook Air
DIGITUS DA-90368 Notebook Standı
FRISBY FNC-35ST 13-17″ ABS Plastik Siyah Notebook Soğutucu Ayarlanabilir Stand
FRISBY FNC-37ST 13-17″ ABS Plastik Siyah Notebook Soğutucu Ayarlanabilir Stand
FRISBY FNC-5230ST 13″ ~ 17″ ABS Plastik Siyah Notebook Soğutucu Ayarlanabilir Stand
FRISBY FNC-5235ST 6Fanlı Notebook Soğutucu Stand
GAMEBOOSTER GB-NS04 15-16″ Siyah 5-FANLI Notebook Soğutucu
GAMEBOOSTER GB-NS10 15-16″ Siyah 6-Fanlı Notebook Soğutucu
GAMEBOOSTER GB-NS24 15-16″ Siyah 4-Fanlı Notebook Soğutucu
GAMEBOOSTER GB-NS50 15-17″ Siyah 2-FANLI Notebook Soğutucu
GAMEBOOSTER GB-NS61 15-17″ Siyah 6-Fanlı Notebook Soğutucu
RAMPAGE ADS-T6U 15-16″ Alüminyum Uzay Gri Notebook Standı
THERMALTAKE Tai-Chi M A2326 Alüminyum Notebook Soğutucu
Thermaltake WavX13 10″~13″ Alüminyum Notebook soğutucusu
TX TXACNBERGST 13″ ~ 17″ ABS Plastik Siyah Notebook Soğutucu
Vnet 360Z 13″ ~ 17″ Siyah Notebook Soğutucu
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.