CODEGEN CDG-CNV42 10/100 1port USB Ethernet
CODEGEN CDG-CNV85 Gigabit 1port Type-C Ethernet,3x USB Çoklayıcı
DARK DK-AC-U31X3GL Gigabit USB 3.0 Ethernet 3x USB Çoklayıcı
DARK DK-AC-U31X3GL2 USB3.1 Type-C to Gigabit LAN Ethernet Adaptör
DARK DK-AC-U31X46 Type-C to Ethernet / HDMI / USB 3.0 – USB 2.0 / USB-C PD 65W Macbook Pro/Air & Notebook/Ultrabook için Port Çoklayıcı HUB
DARK DK-AC-U31XGLAN Type-C 10/100/1000Mbps Gigabit Ethernet Adaptörü
DARK DK-AC-U3GL3 Gigabit 1port USB 3.0 Ethernet
DARK DK-AC-USB332GL Gigabit Ethernet,3x USB Çoklayıcı
DARK DK-NT-U2LAN 10/100 1port USB Ethernet
DARK DK-NT-U31LAN 10/100 1port Type-C Ethernet
DARK DK-NT-U3GLAN Gigabit 1port USB 3.0 Ethernet
DARK DK-NT-U3GLAN2 Gigabit 1port USB 3.0 Ethernet
DIGITUS DN-3024 Gigabit Type-C Ethernet
QPORT Q-TR45 Gigabit 1port Type-C Ethernet
QPORT Q-U3G Gigabit 1port USB 3.0 Ethernet,3x USB Çoklayıcı
QPORT Q-UGB1 Gigabit 1port USB 3.0 Ethernet
QPORT Q-URJ45 10/100 1port USB Ethernet
SPEED SP-UE050 Gigabit USB 3.0 Ethernet
SPEED SP-UET01 Gigabit Type-C Ethernet
TP-Link TP-LINK UE300 USB3.0 to Ethernet Adapter
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.