Prıntpen Kyocera Tk-435 (Japon Toner) (870Gr) (15K)
Prıntpen Kyocera Tk-435 (Ultrafine) (870Gr) (15K)
Prıntpen Kyocera Tk-475 (Japon Toner) (550Gr) (15K)
Prıntpen Kyocera Tk-475 (Ultrafine) (12K) Atik Haznesiz (12K)
Prıntpen Kyocera Tk-475 (Ultrafine) (450Gr) (12K)
Prıntpen Kyocera Tk-475 (Ultrafine) (550Gr) (15K)
Prıntpen Kyocera Tk-475Xl (Japon Toner) (870Gr) Ekstra Yüksek Kapasite (24K)
Prıntpen Kyocera Tk-475Xl (Ultrafine) (870Gr) Ekstra Yüksek Kapasite (24K)
Prıntpen Kyocera Tk-5150 Black (200Gr) (12K)
Prıntpen Kyocera Tk-5150 Cyan (140Gr) (10K)
Prıntpen Kyocera Tk-5150 Magenta (140Gr) (10K)
Prıntpen Kyocera Tk-5150 Yellow (140Gr) (10K)
Prıntpen Kyocera Tk-5195 Black (300Gr) (15K)
Prıntpen Kyocera Tk-5195 Cyan (120Gr) (7K)
Prıntpen Kyocera Tk-5195 Magenta (120Gr) (7K)
Prıntpen Kyocera Tk-5195 Yellow (120Gr) (7K)
Prıntpen Kyocera Tk-5230Xl Black (80Gr) Yüksek Kapasite (4K)
Prıntpen Kyocera Tk-5230Xl Cyan (60Gr) Yüksek Kapasite (4K)
Prıntpen Kyocera Tk-5230Xl Magenta (60Gr) Yüksek Kapasite (4K)
Prıntpen Kyocera Tk-5230Xl Yellow (60Gr) Yüksek Kapasite (4K)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.