S-link SL-DVI01 DVI 24+5 M TO VGA 15 F Çevirici
S-link SL-DVI012 DVI 24+1M To VGA 15F Çevirici
S-link SL-DVI22 DVI 24 + 5 M TO VGA 15 M Çevirici Adaptör
S-link SL-HDEX700M COAXIAL to HDMI Extender 700M Uzatıcı
S-link SL-HDM4K20 19+1 HDMI to HDMI 20m v2.0 4K (3840*2160) 60Hz Kablo
S-link SL-HF10 HDMI M to HDMI F 1m 3D,3V Kablo
S-link SL-HR40 HDMI Repeater Çevirici
S-link SL-HS30 HDMI To SCART Çevirici Adaptör
S-LINK SL-IPH20 2metre HDMI to 3 in 1 Görüntü Aktarıcı Kablo Mobil Telefon Uyumlu
S-link SL-IPH25 HDMI to USB-F 2m Mobil Telefon Uyumlu Görüntü Aktarıcı Kablo
S-link SL-KW10 VGA F TO VGA+2PS2 M KWM 1.5m Kablosu
S-Link SL-LU613 . 2 Port HDMI Çift Yönlü Switch ve Splitter
S-link SL-MD85 Mini Display TO DVI 15CM 15cm
S-link SL-MDA40 Mini Display to DVI Active Kablo
S-link SL-MDV10 Mini DVI to VGA 15cm Apple Laptop Kablosu
S-link SL-MDV15 Mini DVI to DVI 15cm Apple Laptop Kablosu
S-LINK SL-MDV20 0.15metre Mini DVI & HDMI Görüntü Kablosu (Apple Notebook Uyumlu)
S-link SL-MDV25 Mini DVI to Video 20cm Apple Kablosu
S-link SL-MH25 Mini HDMI M/M 1.5m . Kablo
S-link SL-MHVS15 Mini HDMI to VGA+Audio (Yeni Versiyon) Çevirici
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Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.