APC 1000 VA BV1000I-GR LINE INTERACTIVE UPS Yer/Duvar Montaj
APC 1200VA BACK UPS BVX1200LI-GR LINE INTERAKTIF UPS
APC 2200VA BVX2200LI-GR LINE INTERACTIVE UPS
APC 500VA BVS500I-GR LINE INTERACTIVE UPS
APC 700VA BACK UPS BVX700LI-GR LINE INTERAKTIF UPS
APC 900VA BVX900LI-GR LINE INTERACTIVE UPS
DOTVOLT 1200VA LN1200 LINE INTERACTIVE LED EKRAN UPS
DOTVOLT 1500VA LN1500 LINE INTERACTIVE LED EKRAN UPS
DOTVOLT 1500VA LN1500 LINE INTERACTIVE LED EKRAN UPS Asansörlere Uygundur
DOTVOLT 2000VA LN2000 LINE INTERACTIVE LED EKRAN UPS
DOTVOLT 650VA LN650 LINE INTERACTIVE LED EKRAN UPS
DOTVOLT 850VA LN850 LINE INTERACTIVE LED EKRAN UPS
FSP 1500VA FP1500 LINE INTERACTIVE LED EKRAN UPS
FSP 600VA FP600 LINE INTERAKTIF UPS
INFORM 1000VA Guardian 1000A LINE INTERACTIVE LED EKRAN UPS
INFORM 1000VA Guardian 1000AP LINE INTERACTIVE LED EKRAN UPS
INFORM 1200VA GUARDIAN LINE INTERACTIVE LED EKRAN UPS
INFORM 1500VA GUARDIAN LINE INTERACTIVE LED EKRAN UPS
INFORM 2000VA GUARDIAN LINE INTERACTIVE LED EKRAN UPS
INFORM 600VA GUARDIAN LINE INTERACTIVE LED EKRAN UPS
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.